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My name is Suraj Pookkattuparambil Suresh. I was born in India and brought up in Saudi Arabia from where I graduated high-school.
I love exploring the creative possibilities of design and finding innovative solutions to real-world problems.
With a keen eye for detail, I specialize in creating human-centered designs that blend aesthetics and usability to create products and experiences that people love.
Years of
experience
Over 1500 Projects completed
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I'm a Design Researcher and an Interaction Design student at The Glasgow School of Art, and if you're looking for someone who can design a product that doubles as a spaceship, I'm your guy. With a Mechanical Engineering background from NIT Jamshedpur, I've got the skills to create anything from a sleek smartphone app to a jetpack.
But my real secret weapon?
A love of puns and a quirky sense of humor that keeps my design work fresh and fun.
Branding
Art Direction
Website
Interaction Design
Creative Direction
Website
Animation
Branding
Website
Web Development
Branding
Art Direction
Website
Branding
Creative Direction
Animation
Years:
2023
2020
2019
Fields:
Interaction Design
History & Heritage Design
Mechanical Engineering
Clients:
SurfABLE
Glasgow School of Art
National Institute of Technology, Jamshedpur
Stage II Project - Inculsive Intentions
Project Supervisor - Dr. Christine Farion
Research Students - Aryaman Jacob, Shashank Gedala, Suraj P Suresh, Varanneya Thakore, Yaxuan Li
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Final year project, Mechanical Engineering, National Institute of technology Jamshedpur, India.
Project Supervisor - Dr. Mani Kant Paswan
Research Students - Suraj Pookkattuparambil Suresh (2016UGME001) & Abhishek Anand (2016UGME004)
Year:
2020
Field:
Interaction Design
UI/UX
Client:
East Singbhum District
Administration, Jamshedpur
National Institute of Technology Jamshedpur with the cooperation of East Singbhum district administration has developed an android based application, SURAKSHA, which enables ground-level health workers to collect data and monitor visitors who arrived in the district to their centers with concern to Covid 19 infection.
The application will capture the following information:
1. State Quarantine Center & Home Quarantine Tracking Facility for citizens who are assigned by the government to be quarantined, so that the govt. can monitor their movements and keep track of them.
2. Delivery of essential Items such as grocery, personal care, gas, water, medicines, etc via the application.
3. Information about NGO’s and their activities in the local area (such as food distribution), and request & donate food options for citizens.
4. Information about state quarantine centres & helplines
Year:
2020
Field:
Branding
Website
Web Development
Client:
Helias Olis
CONCEPT NOTE:
This intervention aims to welcome the commuters and viewers b/w the traditions and the future of Kerala. The old woman embodies here local traditions and wisdom carrying the fruits of the generous soil & protecting it in her arms. The young girl represents the future that she is going towards with a stern and serene gaze. Her school bag on one hand aims at highlighting the importance of education. The backpack is also a metaphor for the very idea of travelling, exploring new horizons and growing strong and independent. Thus, connecting with the bus station itself.
This mural stands as a symbol for women empowerment where the young girl with a backpack represents cutting ties from the patriarchy and exploring a wider world and the old woman represents mother nature where everything is coming from. Furthermore, the sea represents the constant flow of energies and connections that Kochi has had through time in the past, present & future.
In the background, the skyline of the city alludes to the ever growing IT district with its various facets, and some of the famous temples of the city. Therefore the whole composition is also a celebration of the region at large.
St+Art India Foundation X Asian Paints
HISTORY & SIGNIFICANCE
The KSRTC Bus stand was one of the first structures to come up in Ernakulam by KSRTC. The station has been serving passengers as early as the 1950s.Located at the heart of the city, the over 4-acre station employs over 700 people and see a daily footfall in tens of thousands.
Timeline - 15 Days Members - Zero, One Stroke, Akmal Syed
My Role - Artist Assistant
The golden wheels with Kundan drops sway gently from long beaded chains in the necklace set, capturing the eloquent symmetry found in mehndi designs.
Model - Priya Kumari (BTech - EEE)
Kundan drops rest like the dews on leaves of gold, the intricately detailed necklace pays tribute to the grand tradition of the bride being carried to the groom's house in a doli.
Model -Nivedita Mishra (BTech - EEE)
The golden beads connect the two swans on either side of the necklace, representing the bind between the bride and the groom, questioning the role of men in bridal jewelry.
Model - Vipin SIngh Neggi (MCA)
As the evening of celebration unfolds, long lost friends & relatives approach the bride and groom, the flower patterns on the necklaces and accessories draws from the different ways in which the bride's hair is braided.
Model - Kajal Kumari (BTech - CE)
The glorious peacock spreads its feathers and dances ecstatically in this exquisite crafted jewelry, perfectly describing the energy of the sister at the sangeet and dance melas.
Model - Manvee Anand (BTech - CE)
The bride sits surrounded by the members of her family. Preparations are in full swing, as friends and relatives shuffle in and out of her view.
This project interprets the various stories of people, brides and grooms in various days of the alliance through Tanishq's range of exquisite jewelry that encapsulate the spirit of the Indian wedding.The promotion of Tanishq's Valentine Collection by Invicta during Culfest'20, the annual Cultural festival of National Institute of Technology Jamshedpur.
We deconstructed the Indian wedding into segments like the mehndi day, the sangeet and dance mela, the wedding day and the reception. Each picture captures the essence of each segment.
Art Direction:Suraj Pookkattuparambil Suresh
Special thanks to Mrs. Sagorika Hazra (Area Business Manager - Jharkhand)
ST+ART India Foundation X Asian Paints
CONCEPT NOTE: One of the most popular remnants of the colonial era, the Planter's Chair is synonymous with antique furniture from this period. The design of the Planter's chair is about generosity of space and comfort, achieved with swooping and simple curves. Made of solid Teak wood or Indian Rosewood, it is large, streamlined, majestic and can be still seen on Kerala's house verandas.
In this light and being significant to the place and people, we will realize a larger then life installation of this chair which will be placed on the port or at the parks of proposed locations. This Giant Planters Chair will interact and play with the environment, slip into the role of a child or a lilliput and with their own body, experience a different concept of size. In the presence of the giant chair, the viewer will feel physically diminished and will be returned to the experiences of childhood adventure and furthermore giving magic experiencing the memory of the chair from a new perspective.
Timeline - 7 months
My Role - Artist
Year:
2020
Field:
Branding
Art Direction
Website
Client:
Helias Olis
THE SORA FOUNDATION
A branding project for Afghanistan's first saker Falcon program, dedicated to the rehabilitation and provision of safe refuge for the endangered raptors.
This is an artwork for the cover of the song AASMAN TOOTEGA NAHI
Singer/Producer/Lyricist - Anshuman Sharma Mixed/Mastered - Vasudev
Artwork/Thumbnail - Suraj P Suresh Concept by Vipasha Sharma
Additional lyrics by Bonny Gosain Video - Rachit Tank
Additional video - Shawn Abraham
Book Name: NO MORE NO LESS, PART II
Author Name: Alisha Nandeshwar
A book cover design, along with social media posters for various promotions.
BLURB:
Pari never thought she would end up doing one thing she could never even dream about - break Sameer's heart and send him away from her. But being stuck in a storm, Pari decides to keep friendship first rather than love. However, Sameer doesn't agree with her. Sameer had plans and dreams. Pari wrecked them all at once in an instant. Even though he knows Pari's reasons and understands them, it takes him a long tome to come around and let go of his anger. Now that he finally has what he dreamt of, he knows life is going to be perfect. But life, as usual, has other plans for them.Will Pari and Sameer survive the hand that fate deals them this time? Or will they end up oceans apart again, never to be united?
Just a fun class of '21 design for Jaywalking
WHINE FOR ME
An animated music video for DJ Adillo & Tamim
The deliverables were
1. An Album Cover
2. Promotion content for social media
3. An animated music video
4. An Instagram filter
GREEN FUEL GLOBAL TRADING PVT LTD
Green Fuel Global Trading is an international leader in sourcing , transportation, storage, trading and supply of bio diesel fuel and feed stock. They strive to be responsible stewards for the products they distribute in markets worldwide. The focus is on adapting, innovating and doing their part in the global shift towards renewable energy.
Year:
2020
Field:
Branding
Creative Direction
Animation
Client:
Helias Olis
This is the 2019 collection of dresses by Team INVICTA for the event PANACHE of Culfest'19 (the annual cultural festival of National Institute of Technology Jamshedpur) the theme was Elemental Reminiscence."The universe is a bond formed by finite number of elements and which later formed into giant bodies and masses, so as a tribute to the reminiscence, this collection consists of elements like light, dark, energy, fire, water and earth".
Models: (T-B)Purvani Pragya, Nisha Sharma, Vipin Singh Neggi, Priya Suman, Ritik Dange, Pushkar Mishra, Divya Lakshmi, Monica Sinha & Prema Kumari.
Designer & Art Director: Suraj Pookkattuparambil Suresh
This is a series of garments created by Quod Invicta of National Institute of Technology Jamshedpur for Spring Fest'20. the annual cultural festival of Indian Institute of Technology Kharagpur.
Models: (L-R)Priya Kumari (Forest Goddes), Eslavath Sravan (Dystopian Cyborg), Sapna Chaubey (Mummy), Meenal Sharma (Demon), Ritik Dange (Skeleton Soldier), Pushkar Mishra (Pirate), Manvee Anand (Annabel)
Director & Designer: Suraj Pookkattuparambil Suresh
Years:
2023
2020
2019
Fields:
Interaction Design
History & Heritage Design
Mechanical Engineering
Clients:
SurfABLE
Glasgow School of Art
National Institute of Technology, Jamshedpur
Stage II Project - Inculsive Intentions
Project Supervisor - Dr. Christine Farion
Research Students - Aryaman Jacob, Shashank Gedala, Suraj P Suresh, Varanneya Thakore, Yaxuan Li
Final year project, Mechanical Engineering, National Institute of technology Jamshedpur, India.
Project Supervisor - Dr. Mani Kant Paswan
Research Students - Suraj Pookkattuparambil Suresh (2016UGME001) & Abhishek Anand (2016UGME004)
Year:
2020
Field:
Interaction Design
UI/UX
Client:
East Singbhum District
Administration, Jamshedpur
National Institute of Technology Jamshedpur with the cooperation of East Singbhum district administration has developed an android based application, SURAKSHA, which enables ground-level health workers to collect data and monitor visitors who arrived in the district to their centers with concern to Covid 19 infection.
The application will capture the following information:
1. State Quarantine Center & Home Quarantine Tracking Facility for citizens who are assigned by the government to be quarantined, so that the govt. can monitor their movements and keep track of them.
2. Delivery of essential Items such as grocery, personal care, gas, water, medicines, etc via the application.
3. Information about NGO’s and their activities in the local area (such as food distribution), and request & donate food options for citizens.
4. Information about state quarantine centres & helplines
Year:
2020
Field:
Branding
Website
Web Development
Client:
Helias Olis
CONCEPT NOTE:
This intervention aims to welcome the commuters and viewers b/w the traditions and the future of Kerala. The old woman embodies here local traditions and wisdom carrying the fruits of the generous soil & protecting it in her arms. The young girl represents the future that she is going towards with a stern and serene gaze. Her school bag on one hand aims at highlighting the importance of education. The backpack is also a metaphor for the very idea of travelling, exploring new horizons and growing strong and independent. Thus, connecting with the bus station itself.
This mural stands as a symbol for women empowerment where the young girl with a backpack represents cutting ties from the patriarchy and exploring a wider world and the old woman represents mother nature where everything is coming from. Furthermore, the sea represents the constant flow of energies and connections that Kochi has had through time in the past, present & future.
In the background, the skyline of the city alludes to the ever growing IT district with its various facets, and some of the famous temples of the city. Therefore the whole composition is also a celebration of the region at large.
St+Art India Foundation X Asian Paints
HISTORY & SIGNIFICANCE
The KSRTC Bus stand was one of the first structures to come up in Ernakulam by KSRTC. The station has been serving passengers as early as the 1950s.Located at the heart of the city, the over 4-acre station employs over 700 people and see a daily footfall in tens of thousands.
Timeline - 15 Days Members - Zero, One Stroke, Akmal Syed
My Role - Artist Assistant
The golden wheels with Kundan drops sway gently from long beaded chains in the necklace set, capturing the eloquent symmetry found in mehndi designs.
Model - Priya Kumari (BTech - EEE)
Kundan drops rest like the dews on leaves of gold, the intricately detailed necklace pays tribute to the grand tradition of the bride being carried to the groom's house in a doli.
Model -Nivedita Mishra (BTech - EEE)
The golden beads connect the two swans on either side of the necklace, representing the bind between the bride and the groom, questioning the role of men in bridal jewelry.
Model - Vipin SIngh Neggi (MCA)
As the evening of celebration unfolds, long lost friends & relatives approach the bride and groom, the flower patterns on the necklaces and accessories draws from the different ways in which the bride's hair is braided.
Model - Kajal Kumari (BTech - CE)
The glorious peacock spreads its feathers and dances ecstatically in this exquisite crafted jewelry, perfectly describing the energy of the sister at the sangeet and dance melas.
Model - Manvee Anand (BTech - CE)
The bride sits surrounded by the members of her family. Preparations are in full swing, as friends and relatives shuffle in and out of her view.
This project interprets the various stories of people, brides and grooms in various days of the alliance through Tanishq's range of exquisite jewelry that encapsulate the spirit of the Indian wedding.The promotion of Tanishq's Valentine Collection by Invicta during Culfest'20, the annual Cultural festival of National Institute of Technology Jamshedpur.
We deconstructed the Indian wedding into segments like the mehndi day, the sangeet and dance mela, the wedding day and the reception. Each picture captures the essence of each segment.
Art Direction:Suraj Pookkattuparambil Suresh
Special thanks to Mrs. Sagorika Hazra (Area Business Manager - Jharkhand)
ST+ART India Foundation X Asian Paints
CONCEPT NOTE: One of the most popular remnants of the colonial era, the Planter's Chair is synonymous with antique furniture from this period. The design of the Planter's chair is about generosity of space and comfort, achieved with swooping and simple curves. Made of solid Teak wood or Indian Rosewood, it is large, streamlined, majestic and can be still seen on Kerala's house verandas.
In this light and being significant to the place and people, we will realize a larger then life installation of this chair which will be placed on the port or at the parks of proposed locations. This Giant Planters Chair will interact and play with the environment, slip into the role of a child or a lilliput and with their own body, experience a different concept of size. In the presence of the giant chair, the viewer will feel physically diminished and will be returned to the experiences of childhood adventure and furthermore giving magic experiencing the memory of the chair from a new perspective.
Timeline - 7 months
My Role - Artist
Year:
2020
Field:
Branding
Art Direction
Website
Client:
Helias Olis
THE SORA FOUNDATION
A branding project for Afghanistan's first saker Falcon program, dedicated to the rehabilitation and provision of safe refuge for the endangered raptors.
This is an artwork for the cover of the song AASMAN TOOTEGA NAHI
Singer/Producer/Lyricist - Anshuman Sharma Mixed/Mastered - Vasudev
Artwork/Thumbnail - Suraj P Suresh Concept by Vipasha Sharma
Additional lyrics by Bonny Gosain Video - Rachit Tank
Additional video - Shawn Abraham
Book Name: NO MORE NO LESS, PART II
Author Name: Alisha Nandeshwar
A book cover design, along with social media posters for various promotions.
BLURB:
Pari never thought she would end up doing one thing she could never even dream about - break Sameer's heart and send him away from her. But being stuck in a storm, Pari decides to keep friendship first rather than love. However, Sameer doesn't agree with her. Sameer had plans and dreams. Pari wrecked them all at once in an instant. Even though he knows Pari's reasons and understands them, it takes him a long tome to come around and let go of his anger. Now that he finally has what he dreamt of, he knows life is going to be perfect. But life, as usual, has other plans for them.Will Pari and Sameer survive the hand that fate deals them this time? Or will they end up oceans apart again, never to be united?
Just a fun class of '21 design for Jaywalking
WHINE FOR ME
An animated music video for DJ Adillo & Tamim
The deliverables were
1. An Album Cover
2. Promotion content for social media
3. An animated music video
4. An Instagram filter
GREEN FUEL GLOBAL TRADING PVT LTD
Green Fuel Global Trading is an international leader in sourcing , transportation, storage, trading and supply of bio diesel fuel and feed stock. They strive to be responsible stewards for the products they distribute in markets worldwide. The focus is on adapting, innovating and doing their part in the global shift towards renewable energy.
Year:
2020
Field:
Branding
Creative Direction
Animation
Client:
Helias Olis
This is the 2019 collection of dresses by Team INVICTA for the event PANACHE of Culfest'19 (the annual cultural festival of National Institute of Technology Jamshedpur) the theme was Elemental Reminiscence."The universe is a bond formed by finite number of elements and which later formed into giant bodies and masses, so as a tribute to the reminiscence, this collection consists of elements like light, dark, energy, fire, water and earth".
Models: (T-B)Purvani Pragya, Nisha Sharma, Vipin Singh Neggi, Priya Suman, Ritik Dange, Pushkar Mishra, Divya Lakshmi, Monica Sinha & Prema Kumari.
Designer & Art Director: Suraj Pookkattuparambil Suresh
This is a series of garments created by Quod Invicta of National Institute of Technology Jamshedpur for Spring Fest'20. the annual cultural festival of Indian Institute of Technology Kharagpur.
Models: (L-R)Priya Kumari (Forest Goddes), Eslavath Sravan (Dystopian Cyborg), Sapna Chaubey (Mummy), Meenal Sharma (Demon), Ritik Dange (Skeleton Soldier), Pushkar Mishra (Pirate), Manvee Anand (Annabel)
Director & Designer: Suraj Pookkattuparambil Suresh
The Glasgow School of Art - Interaction Design
(2022 - 2023)
Ongoing Projects:
01. Stolen Lights - An innovative solution to lighting up bike trails
02. The Royal - Visualizing the History & Heritage of the Royal Hotel
03. Inclusive Intention - Designing an inclusive public space
National Institute of Technology, Jamshedpur - Mechanical Engineering
(2016 - 2020)
Minor Project - Experimental analysis on wear behaviour of hybrid natural fibre composites
Major Project - Experimental analysis of natural fibre composites against ballistic impact in a multi-layer armour system
International Indian School Dammam - High School
(2004 - 2016)
Location
THE ROYAL,
TYTLER STREET
FORRES, IV361EL
info
S.Suresh1@student.gsa.ac.uk